![]() Finally, there's the Uzi section, and his subject matter like Baby Pluto is all about flexing. We still get a lot of flexing, but he focuses on softer subject matter too. We then shift to Renji for the next few tracks who is supposed to be sweet and nice. We get Baby Pluto at the beginning of the album - who likes to flex and brag about his watches and money a lot. ![]() The subject matter varies depending on which character he's playing. Uzi also sticks with his unique, melodic cadence and sonically it's nice to hear. His flow is fire and devastating as it always has been with his typical quick, relentless flow. For Uzi himself, he's not lyrically dense and doesn't really spit any bars on this album - but he's not generic either which is also a positive. It's still his same electronic, synth heavy production - but the more futuristic elements and sounds thrown in there fit the theme perfectly and it's a joy to listen to. ![]() Onto the actual album itself, we get some of Uzi's best production yet. Uzi had been very active on Twitter as of lately - even getting the fans to vote for the album cover - and planned his roll out almost perfectly. ![]() One of 2020's most anticipated albums is out - catching us all off guard as the album was meant to drop a week later. Finally, 599 days after 'Eternal Atake' was meant to drop - Lil Uzi Vert has released it.
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